ON THE 51ST ANNIVERSARY OF JIM MORRISON’S DEATH, WE PRESENT THIS MEMORIAL BY ONE OF HIS CLOSEST DRINKING BUDDIES, TOM BAKER’S…
“TOILET HUGGING DRUNK WITH JIM MORRISON”©1981 By Tom Baker
[First published in High Times Magazine, June 1981]
The Senders lead singer, talks to Legs about his memories of Johnny Thunders and the New York Dolls, Nancy Spungen, Sid Vicious, CBGB’s, Blondie, Richard Hell and more…
Gene Krupa is easily one of the most influential musicians of the 20th century, elevating the role of the jazz drummer from sideman to soloist to superstar. His energetic playing on Benny Goodman’s “Sing, Sing, Sing” remains a standard-bearer 80+ years later, and The Drum Battle he recorded with Buddy Rich in 1952 is as dizzying today as it was upon release. But Krupa’s towering influence has not been confined to jazz and swing drummers. In fact, you might be surprised to learn that he was a major inspiration for some of punk rock’s most important timekeepers, including Jerry Nolan of the New York Dolls and Johnny Thunders and the Heartbreakers, Rat Scabies of the Damned, and Lucky Lehrer of Circle Jerks.
Ernie Brooks is a very likable fellow who was raised in New York and Connecticut by intellectual, liberal parents, which explains why he became a civil rights activist down South during the violent “Freedom Summer” of the early 1960s. Ernie’s a Harvard graduate who studied English literature, poetry, and rock 'n' roll, along with his college roommate Jerry Harrison, who later became the keyboard player for the Talking Heads. A chance encounter with Jonathan Richman led to a wild ride as one of the founding members of the legendary Modern Lovers, perhaps the greatest alt-rock, pre-punk, indie band that no one has ever seen.
A Special Guest: Nikolas Schreck Visits Legsville! Nikolas Schreck is a singer-songwriter, author & filmmaker who, likes Legs, did extensive research into the dark side of the 1960s.
Arturo Vega was the most optimistic, jubilant and fun pal anyone could wish for. If it wasn’t for Artie, Joey Ramone and I would’ve starved to death in those early days. He used to give us each a buck fifty so we could each buy a quart of beer and a pack of cigarettes. Joey smoked Winstons; I smoked Marlboros, at 75 cents a pack.
This article was originally published by Chris Zappa on Medium in 2021 under the title, “I Just Can’t Even With Eric Clapton Anymore.” Chris has graciously given Legsville permission to republish it, and I encourage other music lovers to read Chris’ work on Medium as well as sign up for Zappagram, the mother of all music newsletters, which he runs on Substack.
Louis Prima, Keely Smith and Sam Butera revolutionized Las Vegas, the lounge scene and 20th century popular music when they launched their spectacular act in December 1954 at the Sahara hotel and casino on the Las Vegas Strip.
In one of his many interviews, John Lennon called it the most exciting day of his life. I rather doubt it, but then I grew up with the Elvis that was making movies like “Clambake” and “Girls, Girls, Girls,” so I was never impressed. Like Lennon, I loved Elvis’ early Sun Records stuff and believed Presley went to hell when he joined the army. Still, I would’ve loved to have been a fly on the wall the night the Beatles finally met Elvis. I hope you enjoy this!
"For me, Rock n' Roll is about freedom. It's about the freedom to express your feelings very loudly in public. And for me, the idea of expressing your feelings is what life is all about. And the bands I follow have that message." - Bob Gruen
Cynthia was truly an original thinker and a meticulous goofy artist who took the job of casting rock stars’ erect “rigs” extremely seriously while never losing her sense of humor about the job at hand. Join me now as we listen to Cynthia Plaster Caster’s story….
So Punk, what are you going to wear? I’m already thinking about Fall 2022. I have just seen my first glimpse of tourist winter white flesh revealed. I witnessed for a mere nano second the stretch marks and imperfections, back fat and butt cracks! I’m ready to see the coats back on and the sins of our unhealthy diets swathed and draped in almost anything.
Excerpted from CORPORATE ROCK SUCKS: The Rise and Fall of SST Records by Jim Ruland. Copyright © 2022. Available from Hachette Books, an imprint of Hachette Book Group, Inc.
Louis Prima, Keely Smith and Sam Butera revolutionized Las Vegas, the lounge scene and 20th century popular music when they launched their spectacular act in December 1954 at the Sahara hotel and casino on the Las Vegas Strip. The story of their success has never been told in full, and never accurately – until now. Based on long-hidden interviews with the principals and extensive research, Burt Kearns reveals how all the parts fell into place, long before that historic debut. In Part One, we meet the man who answered the call of The Wildest, the key player without whom this success story would never have happened.
Here’s something I discovered over the last couple of years: Tell somebody you’re putting together a book about music and their response is usually something like, “Cool! I love music.” Tell them it’s a book revolving around punk drummers and the response is more like, “Damn. I hate math.” | ©2022 by S.W. Lauden
Gilbert Gottfried was a fearless, hilarious, and truly great comedian. He also was a horror movie expert, a keeper of show business tradition and a gentle, humble man. Oh, and he was also a Ramone! Here’s the classic from USA Up All Night. 1-2-3-GIL!
The punk rock stylist and fashion icon has passed away in her home in Seaford on Sunday. Jordan styled the Sex Pistols, managed Adam and the Ants, worked at Vivienne Westwood’s famous store, Sex and starred in the film Jubilee by Derek Jarman. The actress, model, artist and vet has been mourned by the masses on social media.
I’d heard that something had happened to Frank Sinatra's grave. That someone defaced the memorial to the most important musical artist of the 20th century. Attacking Sinatra? This was like taking a wrecking ball to Graceland. Reading about it was one thing. I had to see for myself.
George Jones’ drunk daddy used to wake him up as a child in the middle of the night and make him sing for him and his buddies or get a beating. Maybe that harsh pressure helped create a country diamond. Maybe it just created a mean SOB who also happened to be able to sing.
©2022 By Chris Campion | Behold… the transfiguration of Iggy Pop, during a legendary Stooges show at Ungano’s, New York City, which was recorded by Danny Fields and heavily-bootlegged for years.
When I was doing a reading tour of the south last winter, I became friendly with Johnny Puke, from Charleston, South Carolina, where he books and manages the Tin Roof, a fun, dumpy punk club. Johnny told me that he was with G.G. the night he died and I thought it would be an interesting story to get on tape.
R&b singer Richard Berry doo-wopped onto the LA music scene in 1953 as part of his high school group The Flairs, three years before Frankie Lymon and the Teenagers became a household name and two years before Little Richard howled across the Billboard pop charts. It was a time when radio was segregated, and r&b was branded “Race Music” as a warning label to pearl-clutching conservative white America and played on separate stations.
©2022 By Legs McNeil | In honor of Howie Pyro’s new liver and Jesse Malin’s benefit show for Howie’s medical expenses on Saturday, March 5th, I present Howie Pyro, the East Village Zelig, founding member of both the Blessed and D Generation.
©2022 by Amy Haben | "The X-Ray Spex singer’s daughter, Celeste Bell, has made an award-winning documentary on her mother’s inspiring yet dysfunctional life."
Already frustrated by growing tensions within the band, the group was less than excited about their arrival in Toledo. Later, tour manager David Libert would be quoted saying, "If the Lord ever wanted to give the world an enema, this is where he would stick the goddamn nozzle."
Johnny “Guitar” Watson was a hardcore guitar gunslinger with a sound described as “an icepick to the forehead.” He was the Gangster of Love, and he proved it in the way he played, the way he lived – and the way he died.
"At age 20, artist Jean-Michel Basquiat emerged from the downtown scene with a budding sophistication equally rooted in abstract expressionism and the post-punk, no-wave, hip-hop, graffiti grit of the Mudd Club avant-garde." | ©2022 by Amanda Sheppard
Suicide was anything but boring. Far from it. This was dangerous, wildly unpredictable, chaotic performance art. They were really quite a spectacle and left anyone who stumbled into their concerts at CBGB or Max’s with their mouth open, thinking, What the hell is this?
"She was always doing new things, but she still stayed connected to her roots and wasn’t too cool to show up and play at a small downtown club with punk bands and her friends."
Keith laid out the entire history of the hardcore scene. It probably helped that I started off by saying, “Talk to me like I’m a moron and don’t know any of this stuff.”
By Mike Katz and Crispin Kott | “The music on our records has nothing to do with us. It’s totally dishonest. We don’t record our own music. Tell the world we’re synthetic because, dammit, we are! We want to play our own.” - Mike Nesmith, the Monkees (TV Guide, September 23, 1967)